Stay updated on EU Funding Possibilities

We aim to offer our members the utmost benefits. By sharing funding insights and tips, we can open up opportunities for our industry players.

  • Creative Europe Call | Copyright: © EU

    Creative Europe Call © EU

Did you know that the European Commission publishes substantial funding opportunities for the creative sector on a regular basis? For the audiovisual performing arts + media sector, the Creative Europe Programme, including a sub-programme for Media, is of special importance.

The coming months will be a high season of open Creative Europe Programme calls – as many as 16 different calls are currently open for submissions. Here are a few examples of calls that offer high potential for our members and the IMZ network:

• Markets and Networking (co-creation and promotion of European audiovisual works)
• Films on the Move
• TV and online content
• Networks of European Festivals
• European VOD Networks and Operators
• European slate development
• Video games and immersive content development
• Innovative Business Tools and Models.
• European Cooperation projects (medium and large scale).

All opened and forthcoming calls with necessary information can be found here.

Regionally, Creative Europe Desks are there for you to help find the call that fits to your goals, and to guide you through the application process.



Documentary: Petr Eben

Czech Television

A new documentary about an exceptional Czech music composer, organist, pianist and university pedagogue.

Golden Prague Festival 2024

Czech Television

Save the date! Join the next edition of the Golden Prague Television Festival, taking place from September 25th to 28th, 2024, in Prague.

Tapping into funding opportunities for members

IMZ International Music + Media Centre

IMZ Advocates for Arts and Culture at Creative Europe Networks Meeting in Brussels

Doppelganger - Jonas Kaufmann

C Major Entertainment

“A rare treat … the theatrical ingenuity and visceral force was so strong that the audience let out an audible gasp of shock” (The New York Times)


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