Advertising

Furtwängler vs. Toscanini - 27 September on Arte

Author: 3B-Produktion GmbH

27 SEPT 2020: Rivalry in Music – Furtwängler vs. Toscanini!

  • Furtwängler vs Toscanini | Copyright: © 3B-Produktion – Büro für bewegtes Bild

    Furtwängler vs Toscanini © 3B-Produktion – Büro für bewegtes Bild

  • Susanna Mälkki | Copyright: © 3B-Produktion – Büro für bewegtes Bild

    Susanna Mälkki © 3B-Produktion – Büro für bewegtes Bild

  • Franco Pulcini | Copyright: © 3B-Produktion – Büro für bewegtes Bild

    Franco Pulcini © 3B-Produktion – Büro für bewegtes Bild

Two men without whom the profession of conductor wouldn’t be what it is today. Two men who couldn’t have been any more different from each other: Arturo Toscanini and Wilhelm Furtwängler.

One of them was a visionary, rigorously faithful to the musical score, the other with his radical subjectivity was recognised even in his lifetime as being seemingly from a past century.

One was shockingly inhibited, scolding his musicians during rehearsals, even slapping them – the other was full of self-doubt.

In the first half of the 20th century the two behemoths were revered like todays popstars. When in 1931 both of them conducted at the Bayreuth Festival – for the first and last time – it was a magical moment, the stuff of legends. But soon the polite rivalry turned into bitter enmity. Both men were forced to take a stance on fascism in their respective countries – and chose radically different paths.

Toscanini, the hot-headed conductor who goes by the nickname “the dictator” bravely defies Mussolini early on. Furtwängler, a dyed-in-the-wool-conservative on the other hand, proclaimed that art is always apolitical and reluctantly makes a pact with the Nazis.

While Toscanini emigrates to the USA, becoming a media star, Furtwängler risks his neck conducting for the Hitler Regime.

The documentary not only opens up the different musical worlds of the two great conductors by re-tracing their careers in Milan, Bayreuth and New York – it also poses a question which today is more relevant than ever: What does art have to do with morality?

Broadcasting 27 September on Arte.

Original title Die Großen Musikrivalen – Furtwängler vs Toscanini
English title Rivalry in Music – Furtwängler vs Toscanini
Genre Documentary
Production year 2020
Duration 52 Minutes
Production Company 3B-Produktion
Co-Production Company ZDF/Arte
Director Thomas von Steinaecker
Director of Photography Chris Valentien
Editor Volker Schaner
Sound Engineer Robert Sandow, Waldemar Bruch
Producer Lucie Tamborini
Co-Producer Dietmar Klumm
Executive Producer Bernhard von Hülsen, Maria Willer

ADVERTISING

YOU MIGHT ALSO BE INTERESTED IN...

Händel’s sexiest opera

EuroArts Music International

John Eliot Gardiner + the Monteverdi ensembles perform Händel’s “Semele“.

Messiaen: Quatuor pour la fin du temps

Accentus Music

The groundbreaking quartet was filmed at the place of its creation with Isabelle Faust, Jörg Widmann, Jean-Guihen Queyras, and Pierre-Laurent Aimard.

Introducing the 2020 Guide to Documentary Decision Makers

Sunny Side of the Doc

Sunny Side of the Doc now provides online resources every doc producer needs to understand what buyers want, create strategies for pitches + connect with potential partners – seize the $50 discount now!

Selah Sue at La Cigale, Paris 2020 in 4K

Auditorium Films

After the release five years ago of her last album “Reasons”, the singer is back with a new EP entitled “Bedroom” conceived during the confinement!

SUBSCRIBE TO THE IMZ MAILINGS


Benefit from exclusive insights + opportunties with a thematic variety of IMZ Mailings to choose from.

By clicking "SUBSCRIBE" you consent that your data can be processed by the IMZ International Music + Media Centre for the purposes of processing your inquiry.